Gay Ann Rogers

Gay Ann Rogers

Needlework Designer/Teacher

Needlework Designer/Teacher


Website updated

May 22. 2017



© Gay Ann Rogers,   2008 -–2017

This website and all of its pages are subject to U.S. copyright laws and are the intellectual property of Gay Ann Rogers.

Do not reproduce, copy or redistribute any aspect of this website, without the written permission of

Gay Ann Rogers.

Above is the map of how far Queendom Website has traveled,

nice for MacSoph and me, but doubly nice because it shows that needlework is indeed alive and well right round the world.

My World of Needlework


Eleanor's Sale continues on Queendom Website as we start preparing for class.


Beginning to wind down the month-long sale.



Eleanor of Aquitaine


Class at Shining Needle Society and complete kit.


$337.00 includes shipping.


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Who Was

Eleanor of Aquitaine?


Eleanor of Aquitaine (1124 – 1204) is the most famous queen of the Medieval period and one of the most extraordinary women in history. A renowned beauty with a headstrong, spirited personality, she was the Queen of France, the Queen of England and mother of three English Kings, young Henry, Richard the Lion-Hearted and John Lackland who gave England Magna Carta.


Eleanor’s court was renowned for troubadours, courtly love and the legends of King Arthur and Guinevere. She was indeed the Mistress of Camelot.

My Inspiration for Eleanor of Aquitaine


I had the idea of stitching Eleanor of Aquitaine for a long time but wasn't near starting Eleanor; it was Judy Souliotis who inspired me to start. My last conversation with Judy was about my queens and who was next, and the whole  time I worked on Eleanor, Judy sat on my shoulder. Every time I look at the finished Eleanor, I hope Judy would have liked her.

Click here A Brief History of Eleanor , Part 1


DH and Eleanor


DH had great influence on my choices for the way I stitched Eleanor. As there is only one image of Eleanor, a tomb sculpture, I turned to DH for help.


If you compare Catherine's portrait with Eleanor's, you will see that Catherine holds her head high and looks directly at you, whereas Eleanor's head is tilted and her gaze slightly outward and demurely down. This was at DH's suggestion. He told me that Catherine's direct gaze came in the 18th century, not before.


From the first time I thought of Eleanor of Aquitaine, DH's suggested that I refer to Books of Hours for inspiration. I have saved the page I posted on April 29 and 30 and you will fine it under Eleanor of Aquitaine on my yellow navigation bar. Now that you have seen Eleanor, I hope you will revisit the page, or visit it for the first time, to see the influences on my portrait.